A Nishijin weaver in Kyoto told me something interesting. He said that the colours that appear on the reverse side of the textile are placed in such a way that they do not want to be seen most on the front side are placed there. For example, purple, which disturbs the yellow ‘Emojis’, is placed right behind the Emojis. A similar process is used for the colour of people’s skin on the reverse side. When you turn the textile over and look at the reverse side, the colours you don’t want to appear on the front are placed there. I realised intuitively that this structure embodied a theme I had been dealing with for a long time, and I dared to show the reverse side of the textile.
Closing and Opening (A Study of Bravery) – Tangled
2024
Unravelled Jacquard weaving (pure silk, polyester) designed by the artist, wooden panel
Fabric development and production by Kaji Textile Inc. (Kyoto Nishijin Textile)
H.141.5 x W.466.7 x D.5 cm (set of two panels, panel sizes 141 x 141 cm each)
Exhibited at
2024 “AIKO TEZUKA” (solo exhibition) Organized by KYOTO INTERCHANGE at Hanbey-fu Gojo Bldg. 2F Hall Keiryu, Kyoto, Japan
Yuki Moriya