Author Archives: Studio Staff
Lessons for Restoration (Small Party)
Seep Out – Paisley Blue 1
The newsletter has been published. (11 Feb 2026)
CURATION⇄FAIR Tokyo
Fragile Surface (Mutterkuchen) Paisley Blue 1
The Correct Focus (Three Women)
Aiko Tezuka Studio is recruiting assistants.
The newsletter has been published. (11 Dec 2025)
The newsletter has been published. (29 Nov 2025)
#WhereDoWeStand?―Art in Our Time at the National Museum of Modern Art, Kyoto.
Collection Exhibition at the Yokohama Museum of Art
The work of Aiko Tezuka, A Study of Necessity (Satsuma-Buttons and Self-Orientalism) – 01, deposited by the Yokohama Museum of Art, will be exhibited in the Collection Exhibition at the museum from 6 December 2025.
Exhibition period: 6 December 2025 to 22 March 2026
The State Guest House at the “Expo 2025 Osaka, Kansai, Japan” in Yumeshima-Osaka
Aiko’s two large installations, Re-Weaving the Era (A Study of Courage and Curiosity) and The State Guest Houses (Weaving in Progress, Meiji to Reiwa) are exhibited in the State Guest House at the “Expo 2025 Osaka, Kansai, Japan” in Yumeshima-Osaka. Kawashima Selkon Textiles Co., Ltd. (Kyoto, Japan) donated the significant textile works designed by Aiko Tezuka to the State Guest House. These works are not open to the public. Still, the production materials and records of the production process are exhibited at the Kawashima Textile Museum in Kyoto.
Re-Weaving the Era (A Study of Courage and Curiosity)
The State Guest Houses (Weaving in Progress, Meiji to Reiwa)
Contribution to the Booklet
Closing and Opening (A Study of Bravery) – Loosened
Closing and Opening (A Study of Bravery) – Tangled 4
Jakob Gasteiger and Aiko Tezuka Duo Exhibition (Barcelona)
Collection 2: Undo, Redo (Osaka, Japan)
Sorry, this entry is only available in JP.
Fragile Surface – Parrot Pink (25-02)
Fragile Surface – Garden (25-02)
Fragile Surface – Tolino (25-02)
Fragile Surface – Bird (25-02)
Fragile Surface – Parrot Pink (25-01)
Fragile Surface – Garden (25-01)
Fragile Surface – Tolino (25-01)
Cut from the Same Cloth: Textile and Technology (California)
KUNSTAUKTION Hilfe für Flüchtlingshilfe (Berlin)
Batik Nyonyas: Three Generations of Art and Entrepreneurship (Singapore)
DISSONANCE (Bucharest, Romania)
News Magazine “ARCADIA” No. 98
Textile Pattern Description
Textile Pattern Description of the new series “Closing and Opening (A Study of Bravery) “ has been uploaded!
The Correct Focus (Traders)
Closing and Opening (A Study of Bravery) – DS05
Closing and Opening (A Study of Bravery) – DS01
Fragile Surface – Parrot Blue (24-03)
Fragile Surface – Bird (24-03)
Fragile Surface – Parrot Pink (24-05)
Fragile Surface – Parrot Pink (24-04)
Fragile Surface – Parrot Pink (24-03)
Fragile Surface – Parrot Pink (24-02)
Fragile Surface – Parrot Pink (24-01)
“Opening and Connecting – A Study of Incision and Suture” at Okazaki Mindscape Museum, Aich, Japan, Related Articles・Japan
RANGE ROVER’s invitation-only event, “RANGE ROVER HOUSE 2024″・Japan
Opening and Connecting – A Study of Incision and Suture
AIKO TEZUKA
Closing and Opening (A Study of Bravery) – Tangled 2
Calligraphy on Painting (Kokin Wakashū on Still-Life Painting)
Air Route Map on The Old Map (Okazaki)
Closing and Opening (A Study of Bravery) – Tangled 3
Closing and Opening (A Study of Bravery) – Passage
Closing and Opening (A Study of Bravery) – Rewoven
Open Seminar: “Yoiyama Seminar” organized by Akihisa Hirata Laboratory, Kyoto University (Kyoto)
Dissonance – Platform Germany (2) (Kiel, Germany)
Stadtgalerie Kiel, Germany
16 March – 26 May 2024
Closing and Opening (A Study of Bravery) – Tangled
Closing and Opening (A Study of Bravery) – Friction
Closing and Opening (A Study of Bravery)
Closing and Opening (A Study of Bravery) – DS03
Closing and Opening (A Study of Bravery) – DS02
Fragile Surface – Bird (24-07)
Fragile Surface – Blue Peacock (24-01)
Fragile Surface – Bird (TI)
Lessons for Restoration (Hishi 3)
Lessons for Restoration (Tsuki-kage 4)
The Correct Focus (Twilight)
The Correct Focus (Secret)
Fragile Surface – Parrot Pink (24-07)
Fragile Surface – Parrot Blue (24-02)
Fragile Surface – Parrot Blue (24-01)
Fragile Surface – Parrot Pink (24-06)
Seep Out – Blue Rose (24-01)
Seep Out – Paisley (24-01)
Seep Out – Abstract Pink (24-01)
Seep Out – Castle (24-01)
Fragile Surface – Bird (24-01)
Fragile Surface – Bird (24-02)
Fragile Surface – Bird (24-04)
Fragile Surface – Bird (24-06)
Arte Morbida・Italy
Aiko Tezuka’s upcoming solo exhibition in Kyoto has been featured in Arte Morbida Magazine, Italy.
Fragile Surface (Mutterkuchen) – Parrot Blue (23-01)
Closing and Opening (A Study of Bravery) (1)
Ghost in Indigo (Knitting)
Fragile Surface (Mutterkuchen) – Indigo Basket
Ghost in Indigo
Fragile Surface – Blue Peacock 7
Fragile Surface – Blue Peacock 8
Fabric of Kyoto, 154 years (Awata, Shirakawa, Higashiyama) F-12
Fabric of Kyoto, 154 years (Awata, Shirakawa, Higashiyama) F-11
Fabric of Kyoto, 154 years (Awata, Shirakawa, Higashiyama) F-3
Fabric of Kyoto, 154 years (Awata, Shirakawa, Higashiyama) F-4
Fabric of Kyoto, 154 years (Awata, Shirakawa, Higashiyama) F-5
Fabric of Kyoto, 154 years (Awata, Shirakawa, Higashiyama) F-9
Fabric of Kyoto, 154 years (Awata, Shirakawa, Higashiyama) F-10
Fabric of Kyoto, 154 years (Awata, Shirakawa, Higashiyama) F-7
Fabric of Kyoto, 154 years (Awata, Shirakawa, Higashiyama) F-8
Fragile Surface (Mutterkuchen) – Three Colors
Fragile Surface (Mutterkuchen) – Parrot Pink (23-01)
Seep Out – Castle (23-01)
Fragile Surface (Mutterkuchen) – 2-blue baskets
Mutterkuchen – BNP
Lessons for Restoration (Fruits & Kin-Un)
Lux Magazine ・UK
Aiko Tezuka’s experience during DBF’s Majhi International Art Residency 2023 has been featured in Lux Magazine, UK.
Numéro Magazine ・France
Aiko Tezuka’s artworks created during the Majhi International Art Residency 2023 have been featured in Numéro Magazine’s article about the Asia Now Art Fair.
Artists, Collectors, Scholars: Women’s Contributions to the Japanese Art Collection at the Museum für Asiatische Kunst, Berlin, Germany
Großer Imari, 1700’s Edo (2004) is being exhibited at the Museum of Asian Art, Berlin, Germany, in the exhibition: Artists, Collectors, Scholars: Contributions by Women to the Collection of Japanese Art. Wed. Sep. 27th, 2023 – Mon. Dec. 11th, 2023
Fragile Surface – Castle (23-03)
The Correct Focus (Autumn)
Lessons for Restoration (Lake)
Lessons for Restoration (Hishi 2)
Lessons for Restoration (Kin-Un 3)
Fragile Surface – Bird (23-06)
Fabric of Kyoto 154 years (Awata, Shirakawa, Higashiyama)
Glass Fabric of Kyoto 154 years (Awata, Shirakawa, Higashiyama)
Near future Whose Sleeves
Head hose
Inframince (dish)
Sea Chart of the outer space
Prints for Future Works
Dear Matisse – 001 (Aiko x Katsu)
Suspended Touch – yellow titties (Aiko x Katsu)
Suspended Touch – pink organs (Aiko x Katsu)
Painting in a bag – green (Aiko x Katsu)
Painting in a bag – brain (Aiko x Katsu)
Painting in a bag – beef (Aiko x Katsu)
Before the world, behind the painting – contact point (Aiko x Katsu)
Before the world, behind the painting – X-shaped hourglass (Aiko x Katsu)
Mutterkuchen – 07 (white)
Mutterkuchen – 06 (green)
Lessons for Restoration (Kin-Un 1)
Lessons for Restoration (Kin-Un 2)
Lessons for Restoration (Hishi 1)
Lessons for Restoration (Tsuki-kage 1)
Lessons for Restoration (Tsuki-kage 2)
Colorless, Transparent, Spreading
Wash hands in a fountain (L)
Wash hands in a fountain (R)
Fragile Surface (Mutterkuchen) – 2022-001
Aiko Tezuka – (Re)weaving Histories at the Rijksmuseum
Flowery Obscurity (The Night Watch) – P2
Flowery Obscurity (The Night Watch) – P3
Alter Ego in a boat (flower)
Alter Ego in a boat (white)
Mutterkuchen – 05 (the place of birth)
STUDIO-Exhibition with Aiko Tezuka
Solo exhibition at Kunsthalle Mannheim
Opening: 2nd February 2021
3rd February – 28th March 2021
A Study of Necessity (Satsuma-Buttons and Self-Orientalism) – 04
Dear Oblivion (A Study of Empress Haruko) – 01
Dear Oblivion (A Study of Empress Haruko) – 02
Dear Oblivion (A Study of Empress Haruko) – 03
A Study of Necessity (Satsuma-Buttons and Self-Orientalism) – 02
A Study of Necessity (Satsuma-Buttons and Self-Orientalism) – 01
Flowery Obscurity (The Night Watch)
Rewoven in Kyoto, After 100 years (era-01)
Rewoven in Kyoto, After 100 years
Mutterkuchen – 03 (Oblivion)
Mutterkuchen – 04 (Circulation)
Fragile Surface (Mutterkuchen) – 2019-006
Fragile Surface (Mutterkuchen) – 2019-005
Fragile Surface (Mutterkuchen) – 2019-004
Fragile Surface (Mutterkuchen) – 2019-003
Fragile Surface (daydream) – 2019-003
Fragile Surface (Mutterkuchen) – 2019-001
Fragile Surface – 2019-001
Fragile Surface – 2019-003
Fragile Surface – 2019-005
Fragile Surface – 2019-008
Hand mirror for the girls (with Plumeria, Half Flower, Shell Ginger and Chrysanthemum)
Rewoven (Abu Dhabi ver. 2018)
Do you remember me – I was about to forget
Fragile Surface (daydream) – 2018-003
Mutterkuchen – 01
Mutterkuchen – 02
Talisman (you are loved)
Talisman (scoop)
Talisman (system)
Fragile Surface (daydream) – 2018-005
Fragile Surface (daydream) – 2018-004
Fragile Surface (daydream) – 2018-001
Mobile Worlds or the Transcultural Museum of Our Present
A Painting for the Emperor (Ein Bild für den Kaiser)
Rewoven #04
re:construction
Fragile Surface (daydream) 2017-001
Fragile Surface – 2017-010
Fragile Surface – 2017-008
Fragile Surface – 2017-012
Fragile Surface – 2017-011
Fragile Surface – 2017-007
Fragile Surface – 2017-004
Fragile Surface – 2017-003
Fragile Surface – 2017-002
Seep Out – 2017-017
Seep Out – 2017-016
Seep Out – 2017-012
Seep Out – 2017-011
Fragile Surface (daydream) 2017-002
Sommerfest
Lessons for Restoration (fruits) 1
Lessons for Restoration (vase) 3
Lessons for Restoration (perspective) 5
Lessons for Restoration (binoculars) 1
Lessons for Restoration (binoculars) 4
Lessons for Restoration (binoculars) 3
Thin Membrane: Pictures Come Down
Certainty / Entropy (England 3)
Certainty / Entropy (India 5)
Certainty / Entropy, The Fondation d’entreprise Hermès, Singapore
Certainty / Entropy (England 4)
Certainty / Entropy (India 3)
Fragile Surface – 2014-3
Fragile Surface 2013-10
Fragile Surface 2013-7
Fragile Surface 2013-2
Two Identical Scarves from H&M, extracted Threads #3
